OK, I'm not a good reviewer but if you don't have this album yet, go get it pronto.
I have always heard/read the name of Tchan-tchou Vidal, in the forums and on the videos and was aware of his influence/repertoire but I'd never actually heard him really until now and all I can say is WOW.
This album is amazing, its recorded perfectly, It feels like your at the gig and listening live. Its also quite interesting to hear drums on this genre, I really enjoy the different vibe you get with it.
I got the digital download on amazon for just $7.99! Michael may sell the CD here, I'm not certain.
http://www.amazon.com/La-gitane-Gypsy-J ... s_ep_dpi_1
Comments
Two things really stand out on the recording, the drummer, who plays flawlessly with brushes - it such a nice, lush texture, the acoustic guitars and the brushes together, and the other thing that stands out is how warm and well recorded it sounds. I've never quite understood the trend in modern jazz manouche recordings in saturating the guitars in digital reverb, playing with high compression and relatively loud mastering. In my opinion it makes the guitars sound plastic and slightly unatural. By contrast, on La Gitane, the guitars sound warm and full of resonance, the old spring reverb provides the perfect ambiance for Tchan-Tchou's style of playing.
Interesting, good to know.
My mistake! I thought that his guitar sounded quite Favino like, and in the reissued version of the album there's a picture of Tchan-Tchou clearly playing a Favino on the front. I stand corrected! His guitar still sounds great though.
He was certainly a Favino player most of his career. But Favino didn't emerge as a luthier until the late '50's/early '60's (Teddy G, Scot Wise, or Teddy Dupont could tell you better than I can), and the "la Gitane" sessions are from the early-mid 50's, if I remember right.
But the big key to Tchan Tchou's sound was that he picked very near the bridge. I have a Joseph di Mauro as well as a very early Favino, and great as both guitars are, they don't sound like Tchan Tchou when I play them! Most modern players seem to play nearer the sound hole than he did, which really changes the tone. I would have loved to put the di Mauro together with Moreno, or some other Tchan Tchou disciple to hear how close to his tone it could get.
Michael
I would recommend all 3.
On the original VHS he also plays some crazy Mediterranean music where even Moreno was having a hard time keeping up. Maybe someone will post this soon...
No doubt, Tchan-tchou was one of the best ever. He had great musical sense and an incredible right hand.
http://www.youtube.com/watch?v=G46j2u-v ... el&list=UL