OK. The guitar arrived today at work. Opened the case and played it a bit. It's a beauty.
Then . . . the sky opened up, Django descended and blessed me with extra dexterity on the spot.
But then, his evil twin whispered in my left ear, and told me to meet him at midnight at the end of the bayou road at the farthest tip of the Louisiana boot. He said to bring a catfish backbone, a set of used strings, and a chip of a slate roof tile to use as a pick. He said if I did what he said, the world would be mine.
For the moment, I'm just trying to figure out whether to keep it strung with light guage (.10 E) or medium, which is what I'm used to. The lights seem a little slinky and not as deep throated. Will try different pics and see what I think later. Also going to visit my favorite local luthier for some fine tuning setup work, but I'm going to give the guitar a few days to acclimate to New Orleans weather first.
That's great hoodoo poetry, son! I'd say go with 11s especially as you're used to them. It does feel like you got a lot better real quick, doesn't it! Curious about what time ups are needed.
Have fun!
Your description of how your ears changed when you first played a GJ guitar was a perfect description, only my ears just keep changing. I have, and have had a few more, very good GJ guitars, and I've sat "in a room full of great GJ guitars to test out" several times.
Your first two paragraphs describe life as I live it. The whole quest for sound has come down to "how I'm feeling today". It's nice to sit with those few good examples and pick one, then the other, but I really need new storm windows because any good bright loud GJ guitar with a big fat wide neck will do the trick for me. The one I pick up 8 days out of 9 is the D 500 I modded 15 years ago to a 16 fret neck with added neck angle and a tall bridge, and that was before I had a clear sense of what GJ guitars were about.
I play a wide mix (not just GJ) so maybe that's why seeking a "grail" guitar has diminished for me.
The Dupont bashers are chumps of course. His MD-50's and VR's rock.
"We need a radical redistribution of wealth and power" MLK
Wait til I get my act together with recorded pick demos. The difference in sound on my DuPont when picked with the right pick at the right angle is huge. Big fat round piano-like clarity, that midrange focus yet still Gypsy...only way I can kinda describe it...and that for a short scale D hole Maple.
I would never have believed that a pick could make such a big difference in a guitar if I hadn't experinced it for myself. In all honesty DuPont had been pretty much sidelined as I didn't like the sound I was getting from it much until the edge discussion on picks got me thinking and trying it again. Then I got my Kenny Smith 60........
The Magic really starts to happen when you can play it with your eyes closed
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Actaully have an ancient Aria GJ that the neck has been re shaped to my liking. Not too bad for a $150 beach party special.
Hope your Guitar arrives soon, let us know what you think.
Then . . . the sky opened up, Django descended and blessed me with extra dexterity on the spot.
But then, his evil twin whispered in my left ear, and told me to meet him at midnight at the end of the bayou road at the farthest tip of the Louisiana boot. He said to bring a catfish backbone, a set of used strings, and a chip of a slate roof tile to use as a pick. He said if I did what he said, the world would be mine.
For the moment, I'm just trying to figure out whether to keep it strung with light guage (.10 E) or medium, which is what I'm used to. The lights seem a little slinky and not as deep throated. Will try different pics and see what I think later. Also going to visit my favorite local luthier for some fine tuning setup work, but I'm going to give the guitar a few days to acclimate to New Orleans weather first.
Meanwhile, the bayou road looms. Stay tuned.
Enjoy
Have fun!
Your first two paragraphs describe life as I live it. The whole quest for sound has come down to "how I'm feeling today". It's nice to sit with those few good examples and pick one, then the other, but I really need new storm windows because any good bright loud GJ guitar with a big fat wide neck will do the trick for me. The one I pick up 8 days out of 9 is the D 500 I modded 15 years ago to a 16 fret neck with added neck angle and a tall bridge, and that was before I had a clear sense of what GJ guitars were about.
I play a wide mix (not just GJ) so maybe that's why seeking a "grail" guitar has diminished for me.
The Dupont bashers are chumps of course. His MD-50's and VR's rock.
I would never have believed that a pick could make such a big difference in a guitar if I hadn't experinced it for myself. In all honesty DuPont had been pretty much sidelined as I didn't like the sound I was getting from it much until the edge discussion on picks got me thinking and trying it again. Then I got my Kenny Smith 60........