Tchavolo
Schmitt is one of those musicians who can say so much with so
little. His music has an earthy, down home feel that many of the young,
highly technical players lack. He always plays with a strong and
aggressive attack and makes every note count.
Tchavolo Schmitt is originaly from Paris and was a regular at the flea
market jam scene at La
Chope. Apparently he ran into some trouble and moved to the Alsace
region of Eastern France. Despite his Parisian roots, he is still
strongly associated with the Alsace style.
Tchavolo is in top form in this live recording from 1978. He uses every
trick in the book to keep the audience entertained during his solo
which is over a dozen choruses long. He plays the last chorus all on
the open high E string by simply detuning the string to the appropriate chord
tone.
Bireli Lagrene is one of the most accomplished jazz guitarists active today. His career, which started around the age of 10, has included performances with some of the world’s top musicians. He has shared the stage with fusion guitarist Larry
Coryell, fretless bass pioneer Jaco
Pastorius, and accordion virtuoso Richard
Galliano. Bireli is a master of numerous styles including bebop, fusion, and swing. He is also a multi instrumentalist with phenomenal skill on guitar (electric and acoustic), electric bass, and drums.
However, Bireli’s musical roots lie in the music of Django Reinhardt. Like most Sinti children, he was immersed in Django’s music from a very young age. While growing up in the Gypsy camps of the Alsace region of Eastern France, he developed incredible technical and improvisational skill. His talent was quickly recognized, resulting in performances across Europe as a young as age 10.
This video shows Bireli playing in the traditional Django style. Watch his right hand closely, it is THE best example of the powerful Gypsy Picking technique. Bireli’s solo meets the high standard you’d expect from a master. This video also gives us a good look at his virtuosic comping beyond violinist Florin
Niculescu’s solo. Bireli uses a mix of chord punches, rhythmic syncopations, counter melodies, and tremolos to create excitement behind the soloist.
The video archive is dedicated to Mary
Honcoop. She generously shared her large collection of Gypsy videos
with nearly anyone who asked. The video archive aims to continue her
generosity now that she is gone.
The Video Archive is devoted surviving video of Django Reinhardt and
other masters of the Gypsy jazz genre. If you enjoy these videos
consider making
a donation.
To view this video you need Real Player software. Download for free
here: Real
Player
Ninine and Mondine have been playing at Le Chope in Paris for over three decades. Le Chope is located in the flea market area of Paris. Django spent much of his youth in this area and it has always been a center for Gypsy musicians. Over the years Le Chope has evovled into a shrine for Django. Notice the many photos of Django and other famous Gypsies hanging on the walls.
Most Parisian Gypsy players after Django (1910-1953) rarely copied Django’s music verbatim. Instead, they used Django’s style as a starting point for interpretations of bebop, Latin, and traditional folk styles. Mondine and Ninine are a perfect example of this eclectic Parisian tradition. For example, Ninine performs mostly on an archtop electric, but still uses the traditional Gypsy Picking technique. Also notice that his improvisational vocabulary is an interesting mix of Django and George Benson.
The video archive is dedicated to Mary
Honcoop. She generously shared her large collection of Gypsy videos
with nearly anyone who asked. The video archive aims to continue her
generosity now that she is gone.
The Video Archive is devoted surviving video of Django Reinhardt and
other masters of the Gypsy jazz genre. If you enjoy these videos
consider making
a donation.
To view this video you need Real Player software. Download for free
here: Real
Player
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