Is it just me, or does anyone else when listening to players like Angelo DeBarre notice a similarity with Austrian/ Bavarian/ Alpine zither playing such as by Anton Karas? I'm thinking specifically about the waltzes and the strong use of vibrato.
There's also similarity on occasion between gypsy and klezmer, especially the clarinet playing.
It would be interesting to know how (if at all) these styles influenced each other.
It's been so quiet around here, I thought I'd try and start a new conversation. Or maybe it's just me...
Comments
Now that's something you don't read often.
Well, never really in my case.
I'll check it out though.
But yeah, it's all the regional influences that seep in.
I know that every clarinet player I played with, also played klezmer.
Clever musicians everywhere always found new ways of combining the sounds they heard, which thankfully is still happening today. For example, the great klezmer clarinetist David Krakauer has combined funk and klezmer in his band Abraham Inc. Who would have imagined that ?
Music, like people can be smart or dull or pretty or not and of course beauty and style is in the eye of the beholder.
Am I the only one hearing Hawaiian slack key style in the textures The Third Man and doesn't his right hand look an awful lot like Elizabeth Cotton's(self taught on her brothers righty guitar) ? And the melody sounds Greek/Mediterranean to me, don't know why (probably the repeating semitone motif).
Here is the awesome Rafeal Cortes mixing up Paco De Lucia, traditional flamenco material and eastern European folk tunes. Juxtapostions (melody and time signature) start thick and fast at around 6.30
He almost seem to be deliberately making the OPs point.
D.
http://www.bbc.co.uk/programmes/b01n8hdj