Favino has always been an artisan guitar, where Selmer and Busato (as far as I know) were made in small factories, like Martin but even smaller.
Well that's debatable as the Selmer guitar workshop was in a factory but after the initial couple of years the work force was reduced to around four or less employees and in the final years it was just one. Pretty similar to Favino who had a similar sized shop with four luthiers during the "golden years." Busato is a mystery of course and the only piece of information I've seen is Jacques Favino's mention of there being up to 40 employees at Busato's shop. But they made lots of stuff including banjos, drums, basses, etc. Who knows how many guys made guitars. According to Bob Holo, Busatos look like they were made quickly with little attention to aesthetic details inside the guitar (who cares, you don't see it anyway!) So Busato may have been the most "factory" like of the big three....but he also experimented the most. Seems that no two are totally alike and there are so many radical ones like Michael's Beast!
klaatuNova ScotiaProdigyRodrigo Shopis D'Artagnan, 1950s Jacques Castelluccia
According to Bob Holo, Busatos look like they were made quickly with little attention to aesthetic details inside the guitar
Yeah, that Jacques Casteluccia D hole that I just bought from Michael is a bit rough inside - there are practically splinters sticking out of the one brace that you can see - but what a sound!
Benny
"It's a great feeling to be dealing with material which is better than yourself, that you know you can never live up to."
-- Orson Welles
Wow, its good to witness personal preferences still prevail even when great guitars and experienced listeners are compared. It puts the choice back on each player, where it belongs.
"We need a radical redistribution of wealth and power" MLK
Comments
http://www.youtube.com/watch?v=8RGd8reElUQ
Of course, as one of the comments says, "it's Stochelo playing, he could make a stringed fruit box sound good."
"It's a great feeling to be dealing with material which is better than yourself, that you know you can never live up to."
-- Orson Welles
Well that's debatable as the Selmer guitar workshop was in a factory but after the initial couple of years the work force was reduced to around four or less employees and in the final years it was just one. Pretty similar to Favino who had a similar sized shop with four luthiers during the "golden years." Busato is a mystery of course and the only piece of information I've seen is Jacques Favino's mention of there being up to 40 employees at Busato's shop. But they made lots of stuff including banjos, drums, basses, etc. Who knows how many guys made guitars. According to Bob Holo, Busatos look like they were made quickly with little attention to aesthetic details inside the guitar (who cares, you don't see it anyway!) So Busato may have been the most "factory" like of the big three....but he also experimented the most. Seems that no two are totally alike and there are so many radical ones like Michael's Beast!
Yeah, that Jacques Casteluccia D hole that I just bought from Michael is a bit rough inside - there are practically splinters sticking out of the one brace that you can see - but what a sound!
"It's a great feeling to be dealing with material which is better than yourself, that you know you can never live up to."
-- Orson Welles