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what can i improve?

24

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  • Posts: 529

    Yeah technique looks ok. Notes are clear. Maybe it's the guitar itself? You might not be used to how this guitar sounds. Or Selmer style guitars in general.

    You can try picking in different places. Closer or further from the bridge.

    I assume you are using a rigid pick. At least 2mm thick?

    You can try slightly angleing the more parallel with the strings.

  • edited March 22 Posts: 5,901

    I don't know if I'm buying that Paul, lol, the gravity thing and stocky vs slender. I mean, in my mind it's about the acceleration that a free falling hand produces, not so much about the mass. And it doesn't take a lot of hand weight to get that acceleration. But yes, you'll get a different sound from person to person depending on different factors including the weight of the hand. I agree that you should just let your body and physique settle into what's comfortable, including the picking hand position.

    Every note wants to go somewhere-Kurt Rosenwinkel
  • Posts: 30

    what do you people think about half fist playing, it actually got me to play with more wrist. What do you think about my new tone?

  • Posts: 30

    sorry for being a bit boring

  • Posts: 12

    You're better off sticking to rest strokes in the long run... throw in the alternate picking only when necessary.

  • voutoreenievoutoreenie "the good land"New
    Posts: 395

    Don't worry, you are - I don't necessarily notice the wrist differences but it sounds great to my ears!

  • Posts: 529

    I don't know what half fist means.

  • voutoreenievoutoreenie "the good land"New
    Posts: 395

    I think he's saying he loosened up his right hand "fist" grip to relax the fingers a bit more...or something like that maybe?

  • Posts: 30

    Hi everyone,

    I’ve been working a lot on my right-hand technique and tone lately, especially in gypsy jazz, and I would really appreciate some advice from more experienced players.

    My main question is: how do you get the most beautiful, rich, and even tone on every note?

    I often feel that when I play a phrase, some notes “pop” nicely while others sound thinner, weaker, or harsher. I’m trying to understand:

    how exactly to attack the string with the pick

    what the ideal angle of attack should be

    how much of the movement should come from the wrist, forearm, or elbow

    how to keep the same volume and tone quality on every note, especially in fast lines

    how much tension vs relaxation is actually useful in the right hand

    Sometimes when I slightly engage the wrist and use a smaller motion, the tone becomes more even, but I’m not sure if this is good long-term technique.

    How do you personally approach getting that warm, punchy gypsy jazz sound where every note speaks clearly and evenly?

    Any tips, exercises, or technical details about pick attack would mean a lot.

    Thank you!

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