@TexasRed
Welcome and good talking Congratulations Wish you the Best!
May your Guitar kindle the Fire & Love of this Style.
When it arrives Lets Pick if I can help in anyway just ask.
Good call on the Nomade and nice price! You'll love it!
klaatuNova ScotiaProdigyRodrigo Shopis D'Artagnan, 1950s Jacques Castelluccia
Posts: 1,665
That's a very good price on the Nomade, congrats.
You didn't mention whether it's a D or oval hole. One difference that I don't think anyone mentioned is the D hole generally gives more feedback to the player, whereas the oval tends to focus the sound forward. To the listener, it doesn't make a lot of difference, if you're comparing guitars by the same builder - the scale is probably a bigger factor. Cheap D holes tend to be muddy; one from a high-end builder like a Dupont won't be.
14 fret D holes come in all sorts of scale lengths. Also, it seems that people coming from a flattop background prefer the D hole, at least at first.
Benny
"It's a great feeling to be dealing with material which is better than yourself, that you know you can never live up to."
-- Orson Welles
Got my nomade in yesterday and love it. Definitely has a very dry tone to it. I'm already having a lot fun playing leads to the beginner backing tracks from dcmusicschool. And the John Jorgensen beginner book really helped with that.
Still gotta work on my rythym skills (well i gotta work on everything really) but I feel like I'm getting closer to the right sound now that I have the right guitar.
Congrats!
My first GJ guitar was a Nomad too, and I still have it today. That was 10 years ago, but I remember clearly the shock I got when somebody played it in front of me for the first time (Best things about the Nomades is that they make you happy twice - the first time when you get it, and the second time when you get your next guitar
Joking aside, if you work on your chops, you can get some very serious rhythm sound out of it. I think solo is more difficult, because the sound is usually a bit thin and harsh, but rhythm, oh man, if you can tame the beast it can really kick ass. You mention the 'dry' sound, I think that's exactly why you can get such a crisp pompe with it.
Speaking of that, I'm using the Wegen gypsy jazz 3.5 mm. I'd like to try one of the many picks Michael has here, what's a pick that will give me a slightly warmer sound?
If you can get over the sticker shock the blue chip is very quiet and if using a rounder tip profile warmer sound.
Picks in general....sharp tip profile gives crisper sharper attack.....rounder tip profiles give fuller more balanced sound ...doesnt have the crisp attack of a sharp tip.
Finding the right pick for the sound you want to get is part of the process. It can take a while and as one's abilities and ears change, what one wants from a pick will change.
The Magic really starts to happen when you can play it with your eyes closed
I do have a nice blue chip. An XR50 that I use for mandolin. Despite it being thinner than the Wegen it does sound warmer. It is rounded but has a slight bevel which is ideal for me I think. But I wish it was thicker. They don't offer the xr any thicker than 60.
If I could find something like the xr but closer to 2.5 or 3.5 that would be great
Comments
Welcome and good talking Congratulations Wish you the Best!
May your Guitar kindle the Fire & Love of this Style.
When it arrives Lets Pick if I can help in anyway just ask.
You didn't mention whether it's a D or oval hole. One difference that I don't think anyone mentioned is the D hole generally gives more feedback to the player, whereas the oval tends to focus the sound forward. To the listener, it doesn't make a lot of difference, if you're comparing guitars by the same builder - the scale is probably a bigger factor. Cheap D holes tend to be muddy; one from a high-end builder like a Dupont won't be.
14 fret D holes come in all sorts of scale lengths. Also, it seems that people coming from a flattop background prefer the D hole, at least at first.
"It's a great feeling to be dealing with material which is better than yourself, that you know you can never live up to."
-- Orson Welles
Still gotta work on my rythym skills (well i gotta work on everything really) but I feel like I'm getting closer to the right sound now that I have the right guitar.
Thanks everyone!
My first GJ guitar was a Nomad too, and I still have it today. That was 10 years ago, but I remember clearly the shock I got when somebody played it in front of me for the first time (Best things about the Nomades is that they make you happy twice - the first time when you get it, and the second time when you get your next guitar
Joking aside, if you work on your chops, you can get some very serious rhythm sound out of it. I think solo is more difficult, because the sound is usually a bit thin and harsh, but rhythm, oh man, if you can tame the beast it can really kick ass. You mention the 'dry' sound, I think that's exactly why you can get such a crisp pompe with it.
Picks in general....sharp tip profile gives crisper sharper attack.....rounder tip profiles give fuller more balanced sound ...doesnt have the crisp attack of a sharp tip.
Finding the right pick for the sound you want to get is part of the process. It can take a while and as one's abilities and ears change, what one wants from a pick will change.
If I could find something like the xr but closer to 2.5 or 3.5 that would be great