{"type":"rich","version":"1.0","title":"Lesson 5: Gypsy Theory Part II ","author_name":"DjangoBooks.com","author_url":"https:\/\/www.djangobooks.com","cache_age":"86400","thumbnail_url":"https:\/\/www.djangobooks.com\/media\/ecom\/prodlg\/newbook.gif","thumbnail_width":54,"thumbnail_height":54,"html":"<div class=\"koembedwrap\"><p><a href=\"https:\/\/www.djangobooks.com\/Item\/lesson_5\"><img src=\"https:\/\/www.djangobooks.com\/media\/ecom\/prodlg\/newbook.gif\" alt=\"Lesson 5: Gypsy Theory Part II \" class=\"koembedimg\" \/><\/a><\/p>\r\n<p class=\"koembedtitle\"><strong>Lesson 5: Gypsy Theory Part II <\/strong>      <\/p>\r\n<p class=\"koembeddesc\">This lesson is the second of a two part series which explains the scales and arpeggio choices Django used while improvising. This lesson demonstrates how Django used the &#34;Dominant 13 Sound&#34; and &#34;Dominant b9 Sound&#34; in his solos. 8 notated and MP3 audio examples are included. 5 of these are musical ideas transcribed from Django and other Gypsy guitarists. 5 pages of text (from my Gypsy Jazz column in Just Jazz Guitar Feb.2005).<\/p><\/div>","width":54,"height":554}