{"type":"rich","version":"1.0","title":"Fapy Lafertin and Le Jazz Hungaria","author_name":"DjangoBooks.com","author_url":"https:\/\/www.djangobooks.com","cache_age":"86400","thumbnail_url":"https:\/\/www.djangobooks.com\/media\/ecom\/prodlg\/fapy-lafertin-hungaria.jpg","thumbnail_width":455,"thumbnail_height":255,"html":"<div class=\"koembedwrap\"><p><a href=\"https:\/\/www.djangobooks.com\/Item\/fapy-lafertin-hungaria\"><img src=\"https:\/\/www.djangobooks.com\/media\/ecom\/prodlg\/fapy-lafertin-hungaria.jpg\" alt=\"Fapy Lafertin and Le Jazz Hungaria\" class=\"koembedimg\" \/><\/a><\/p>\r\n<p class=\"koembedtitle\"><strong>Fapy Lafertin and Le Jazz Hungaria<\/strong>      <\/p>\r\n<p class=\"koembeddesc\">As with the first CD Swing Guitars Hungaria was recorded in a fashion similar to that used by Django Reinhardt and Stephanne Grappelli in the mid 1930s.A very few photographic references, and a lettle experimentation pointed towards using one principal microphone (in our case BBC circa 1938) for the whole band, and one or two ambience mics to high light different dynamics.Each track is a live performance with no drop-ins, clean ups, overdubs, and the mix was altered only by moving our chairs....<\/p><\/div>","width":455,"height":755}