1940s Joseph Di Mauro Heart Hole 1940s Joseph Di Mauro Heart Hole Di Mauro The rare heart hole model from the elder Joseph Di Mauro. Renowned for its exquisite tone and thunderous projection! Arts & Entertainment joseph-di-mauro-heart-hole-2 Heart Hole View Offer DjangoBooks.com
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1940s Joseph Di Mauro Heart Hole

1940s Joseph Di Mauro Heart Hole

The elder Joseph Di Mauro was part of the mass emigration of master Sicilian luthiers (Busato, Oliveri Anastasio, etc) who left Catania in the early 20th century. In the 1930s Di Mauro and his countrymen setup a series of shops on the East side of Paris and quickly adapted their skills to making jazz guitars in the Selmer Maccaferri style. Di Mauro was certainly one of the most successful and long lasting of these Franco-Sicilian luthiers as his guitars were widely adopted by players of many styles. Notable players include Moreno, Boulou Ferre, Patrick Saussois, Samy Daussat, Jean-Yves Dubanton, and even Pat Metheny! Di Mauro guitars were produced continuously until the early 90s, first by Antoine and then later by his son Joseph.

This guitar was built by Antoine Di Mauro's brother Joseph, not be confused with Antoine's son of the same name. The distinctive heart shaped sound hole clearly marks it as his work. This model is extremely rare with very few known surviving examples.

This guitar has the customary three piece neck and arched back that was typical of Franco-Sicilian makers such as Di Mauro, Busato, Bucolo, etc. The top is spruce, the neck is mahogany with an ebony spline, and the back and sides are made from a stunning piece of birdseye maple!

This instrument possess the much coveted dry, classic tone that is only found in the best vintage Gypsy guitars. Each note is crisp, clear, and well defined with the kind of character and complexity that only comes with age. Projection is excellent as the Castelluccia style three brace design really lets the top move. The balance of this instrument is particularly noteworthy as it's one of the rare guitars that excels in both the bass and treble registers. I particularly like the low-mid "growl" this guitar produces as it gives chordal work a wonderful attitude that is lacking in other, more "polite" instruments.

This instrument is setup for modern style professional playing with very easy 3mm action and perfectly leveled frets.

The condition is excellent for a guitar of this age. The fingerboard and frets are new.The tailpiece and tuners were replaced with a very nice set of Dupont DRs. There are no cracks and surprisingly few dings and scratches for its age. Certainly one of the cleanest examples I've seen from this period.

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