Stroh-Guitar

Discuss Selmer style guitars and what we play them with!

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Stroh-Guitar

Postby a » Sat Mar 21, 2009 6:59 am

Anyone ever seen a guitar version of this:

http://strohviolin.com/ ?

Not a resonator guitar, but something built like one of these with a horn?
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Postby a » Sat Mar 21, 2009 7:09 am

Found one! under stroviols here

http://www.notecannons.com/index.html

does anyone know if these any luthiers build these? maybe with a guitar body so that it can fit in your lap.. ?
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Postby Michael Horowitz » Sat Mar 21, 2009 8:23 am

Wow...super cool! :shock: :shock: :shock:

I've always wanted a tri-cone reso guitar made with Selmer like specs....that would be nifty!

'm
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Postby Michael Horowitz » Sat Mar 21, 2009 8:26 am

for those too lazy to find it:



Stroviols Instruments.

These fantastic instruments are often believed to have been the source of John Dopyera's resonator concept. They were invented by John Matthias Augustus Stroh, and were at their most popular in the early 1900's. They are the subject of two British Patents, No.9418 dated 1899 & No.3393 dated 1901.

Stroh was a watchmaker who settled in Britain in 1851, and who worked with the British inventor Charles Wheatstone in the mid to late 19th century. There is more information on their work, especially concerning their collaboration on the Wheatstone Concertena HERE , and their 'automatic telegraph' work HERE. Stroh was born in Frankfurt, Germany in 1828 and died in London, Great Britain in 1914.

Instruments bearing the Stroviols name were made by his son Charles from about 1901 to 1924, and then under licence in Britain by George Evans & Co, up till about 1942. The violins alone are now being manufactured by Strohviolin.

Another source of information is about half way down the 'Krionics play Stroh' page, and a Stroh Violin can be seen and heard in the movie Bloodhounds of Broadway


The Hawaiian guitar.

a Strohviols instrument

a Strohviols instrument

a Strohviols instrument

a Strohviols instrument

a Strohviols instrument

Pictures ©Brian Cohen.


Violins.

Although 4 string violins seen to have been the most common of all the instruments, we have heard of single string violins (aparently refered to a 'Jap fiddles'. Some just have the large horn to project the sound out towards the listeners, others (the 'Concert model') also have a second, smaller horn to feed sound to the player's ear. .

If you have any pictures we would be please to add them to these pages.

a Strohviols instrument


a Strohviols instrumenta Strohviols instrument

From the collection of Tony Bingham, this Stroh violin, is signed with a transfer on the body, "STROHVIOLS / TRADE MARK / REGISTERED" made in England c.1910. Height 61.0cm. The body of lacquered wood, the diaphram and horns of aluminium.

References.

"Fiddles with Horns" by Joseph Pilling, from The Galpin Society Journal Volume XXVIII, 1975.

British Patents No.9418 dated 1899 & No.3393 dated 1901. Both taken out by J.M.A.Stroh

Catalogue of John E Dallas & Sons Ltd, London 1922, p.52. illustrating a similar Strohviol

.

Thanks to Tony for the pictures and information.


Bass.

a Strohviols instrument  a Strohviols instrument

I regret I don't know the source of these pictures, so if you do know please tell me!


Ukulele.

a Strohviols instrument

Picture © Frank Ford. www.frets.com


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Postby Michael Horowitz » Sat Mar 21, 2009 8:37 am

BTW, there was this unusual band from Scotland in the 80s the did this Celtic-Swing fusion stuff. Their violinist used the stroh violin on some cuts....funky sound!

More about them here: http://www.folkmusic.net/htmfiles/inart595.htm

They call it a "phono fiddle," but I think it's the same thing as a stroh-violin.
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Postby a » Sat Mar 21, 2009 9:05 am

yeah, me too. i've tried to find someone who'd build a resonator to selmer style specs..even those guys in australia... but nobody wants to do it.

also, i played an old harmony guitar from the 30s (?), and while it didn't have much tone due to bad wood, it felt great to play- i was able to dig in really easily. it turns out that it only had 2 braces..and i believe they ran parallel from tailpiece end to the the neck joint.
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Postby Michael Horowitz » Sat Mar 21, 2009 9:37 am

funny, there was an old 50s harmony flatop I played in a local store years ago and it was a screamer!
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