DjangoBooks.com

Jamming tips: how to feel well and how to behave ;-)

2»

Comments

  • If you bring a less common tune, maybe bring a chart.
  • Posts: 4,735
    Boy reading through this for a person new to it can make it sound like the jams are really complicated endeavors. But it's really very simple, just show up with one pill of flexibility and one pill of compromise and read these guidelines prior to going.
    Jim Kaznosky
    Every note wants to go somewhere-Kurt Rosenwinkel
  • NylonDaveNylonDave Glasgow✭✭✭ Perez Valbuena Flamenca 1991
    Posts: 462
    My tip, if people are studiously not listening or being egregiously cliquey or egotistical or deluded give them a year or two and then if you are still not enjoying yourself stay away for a bit.

    D.
  • Buco wrote: »
    Boy reading through this for a person new to it can make it sound like the jams are really complicated endeavors. But it's really very simple, just show up with one pill of flexibility and one pill of compromise and read these guidelines prior to going.
    I'm lucky that there are a fair amount of people around my parts who I know or at least know of. If someone brings a song to a jam that I don't know, I'll give it a go if you have the patience to deal with my not knowing the tune. I've only once had a song turned down when it was my turn because the bass player "hated that song." And I've tried most of the songs that were suggested in a jam because there might be a tune I don't know and I might actually learn something in having my fun.

    It isn't rocket science. Don't be a weiner and have fun. If you're in over your head, duck out and watch. That can be fun too.



    wimJojo
  • AndyWAndyW Glasgow Scotland UK✭✭✭ Clarinets & Saxes- Selmer, Conn, Buescher, Leblanc et.al. // Guitars: Gerome, Caponnetto, Napoli, Musicalia, Bucolo, Sanchez et. al.
    Posts: 600
    i'm preparing my own little printed chart-book for stuff i know that isn't in the Django fakebook 2008.
    I like the idea of trying new jazz and GJ related tunes at the weekly jam, but, ideally bring a chart. Having the ability to pick up & repeat a chord sequence by just hearing it is a milestone / worthwhile skill, imho.
    [ btw - some real gypsies don't/won't read 'charts' and 'grilles' ]
  • BonesBones Moderator
    Posts: 3,319
    Really after you've played enough different songs the forms start to look similar. If someone calls a tune that you don't know it would seem common courtesy to at least tell everyone what key and the basic form and if it has an unusual bridge, etc. Then once or twice thru one should at least be able to hold down the chords???
    wimJojo
  • AndyWAndyW Glasgow Scotland UK✭✭✭ Clarinets & Saxes- Selmer, Conn, Buescher, Leblanc et.al. // Guitars: Gerome, Caponnetto, Napoli, Musicalia, Bucolo, Sanchez et. al.
    Posts: 600
    NylonDave wrote: »
    My tip, if people are studiously not listening or being egregiously cliquey or egotistical or deluded give them a year or two and then if you are still not enjoying yourself stay away for a bit.

    D.

    ach get yerself back to the ivory & say hello, Dave. LoL. -Andy-
Sign In or Register to comment.
Home  |  Forum  |  Blog  |  Contact  |  206-528-9873
The Premier Gypsy Jazz Marketplace
DjangoBooks.com
USD CAD GBP EUR AUD
USD CAD GBP EUR AUD
Banner Adverts
Sell Your Guitar
© 2024 DjangoBooks.com, all rights reserved worldwide.
Software: Kryptronic eCommerce, Copyright 1999-2024 Kryptronic, Inc. Exec Time: 0.016151 Seconds Memory Usage: 1.008797 Megabytes
Kryptronic