Comments

• Russell Letson Prodigy

  June 2014 Posts: 356

  The PROs (performing rights organizations) ASCAP and BMI both maintain on-line-accessible databases of works they claim to represent. You have to be careful about titles, though--for example, "Grandfather's Clock" is listed in the ASCAP ACE database as belonging to Zez Confrey, but there is also the 1876 "My Grandfather's Clock" by Henry Clay Work, which is PD. Two entirely different tunes.
  
  According to the ACE database, Django's compostions are managed by the European PRO SACEM, and they also have a database, though when I put Django's name in, I only got three titles. Maybe I was searching wrong.
  
  The PRO databases will indicate the publisher, though that won't tell you when a given tune goes PD, which can depend on a number of factors, as Stuart points out.
  
• klaatu Nova ScotiaProdigy Rodrigo Shopis D'Artagnan, 1950s Jacques Castelluccia

  June 2014 Posts: 1,665

  If you're located in the US, the Harry Fox Agency is the clearing house for mechanical licensing (recording copyright clearance). The rule in the US is that a composition becomes public domain 75 years after the death of the last of its authors to die. Since Django died in 1953, you've got a few years to go. It's only 50 years in Canada.

  Benny
  
  "It's a great feeling to be dealing with material which is better than yourself, that you know you can never live up to."
  -- Orson Welles
• crookedpinky Glasgow✭✭✭✭ Alex Bishop D Hole, Altamira M & JWC D hole

  June 2014 Posts: 921

  I wondered if you could pick up the publisher information from a CD that the songs appear on ? Or what about this site http://musicservices.org/song/detail/136802

  always learning
• adrian AmsterdamVirtuoso

  June 2014 Posts: 545

  Different countries have different rules, and it's a confusing mess. Here's the clearest chart I've found on copyright and public domain in the U.S. as of 2014: http://copyright.cornell.edu/resources/publicdomain.cfm

  

  soundslice.com/users/adrian
• swing68 Poznan, Poland✭✭✭ Manouche Modele Orchestre, JWC Catania Swing

  June 2014 Posts: 121

  All this being so:
  
  Suppose we do a spot for TV - one is in the works - and we wanted to include, let's say, a 20-second excerpt of 'Tchavolo Swing'. What would the copyright older's expectation be:
  
  - attribute the song in a subtitle;
  - slip the writer a fiver;
  - ignore, just do it as they'll probably use the improvised part and not the head riff;
  - none of the above?
  
  Thanks, A

  The war on Am7 and Cmaj7 begins here ...
• Russell Letson Prodigy

  June 2014 Posts: 356

  I would think that clearances and permissions are the TV station's worry--ask the producer or whoever you're working with about it. The station should have the standard PRO blanket licenses. They might ask you to identify the tunes so they can report them, but beyond that it's not your problem.