I've been trolling through old discussions looking for info on Dunn guitars and have run across a couple threads referring to his necks as wide and flat like a classical guitar (which matches my very pleasurable experience with one). I've only played my DG-255, a Bellville and a Lehmann Eclipse for reference and none of these are supposedly "traditional." Do strict Selmer copies have radiused fingerboards? How do Dunn's necks compare to the Parisian models? Or are they all different?